Contemplating Slaughter
Contemplating Slaughter
表演者: Necropolis (US)
专辑类型: 专辑/Thrash Metal
介质: CD
发行时间: 1988
唱片数: 1
出版者: Bomp ! Records
专辑简介
One of the more bustling cities of the dead - 80%
Written by Gutterscream on October 13th, 2007
Lots of mad dash thrash here on Necropolis’s one and only, though they’re far from the one and only set o’ guys to think the name would be a dandy one.
Combining the gut work of Morbid Saint, Demolition Hammer, a little Sadus and Acrophet, and even tinges of demo-era Metal Onslaught during the many slower churning parts, the foursome ride thrash’s jagged spark that was starting to lose some of its serration to the style’s more clinical sheen that had come around about this time. When flying along fully blown, things are blustery, unshaven, and even disheveled (“Ashes to Ashes”, “Froze in Fear”, “Surrender to Death”) like a relentless storm, spilling unforgiving acid rain all over these rhythms in supersonic torrents until the band has no choice but to initiate mph breakdowns, acoustical contrasts, and even crickets, like the one bridging savage opener “Dark Despair” and “Waters of Lathe”’s tighter, more threatening march, and ominous piano plinks the entrance of “Cease to Exist”. However, a more important paragraph in Necropolis’s two page handbook is their acceptance, or should I say understanding, of not having to break the sound barrier in each track, notably in “Waters of Lathe”, though “Cease to Exist”’s half n’ half velocity shares similar range. Despite this, there’s no lull in energy level; from first to last note this eight-tracker will dislocate joints of anyone in the room.
Charron’s vocals are hostile and inhospitable, savage with a shrieky inner lining, yet are quite comprehensible when narrating less windblown tales. Meanwhile, as a soloist Mel Ballard is capable enough, though is often hidden in Soundscape’s trebly, though otherwise satisfactory mix job.
Contemplating Slaughter (to me, kind of a weird title) is more curious than the single dimension it could’ve been and what was probably anticipated by many, but is still one of the hundreds to hurriedly soar over most peoples’ heads unheard.
I actually expected this Necropolis - - to go farther than it did.
One of the more bustling cities of the dead - 80% 一个比较繁华的城市死者 - 80 ％
Written by Gutterscream on October 13th, 2007 作者Gutterscream关于2007年10月13号
Lots of mad dash thrash here on Necropolis's one and only, though they're far from the one and only set o' guys to think the name would be a dandy one.很多疯狂的破折号鞭打这里墓地的唯一，虽然他们远离唯一一套奥家伙想的名字将是一个绝妙的一个。
Combining the gut work of Morbid Saint, Demolition Hammer, a little Sadus and Acrophet, and even tinges of demo-era Metal Onslaught during the many slower churning parts, the foursome ride thrash's jagged spark that was starting to lose some of its serration to the style's more clinical sheen that had come around about this time.结合肠道工作病态圣，拆卸锤，有点Sadus和Acrophet ，甚至色调演示时代金属冲击在许多慢搅部分，四人乘坐鞭打的锯齿状火花是开始失去它的一些锯齿状的风格的临床光泽更是已经在这个时间。 When flying along fully blown, things are blustery, unshaven, and even disheveled (“Ashes to Ashes”, “Froze in Fear”, “Surrender to Death”) like a relentless storm, spilling unforgiving acid rain all over these rhythms in supersonic torrents until the band has no choice but to initiate mph breakdowns, acoustical contrasts, and even crickets, like the one bridging savage opener “Dark Despair” and “Waters of Lathe”'s tighter, more threatening march, and ominous piano plinks the entrance of “Cease to Exist”.飞行时沿完全炸毁，事情大风，满脸胡渣，甚至衣冠不整（ “东邪西毒灰烬” ， “冻结在恐惧中” ， “投降死亡” ）就像一个无情的暴雨，酸雨蔓延无情所有这些节奏在超音速山洪直到乐队已别无选择，只能着手英里故障，声学对比，甚至蟋蟀，就像一个桥接野蛮揭幕“黑暗绝望”和“水域车床”的更严格，更威胁3月，和不祥的钢琴plinks的入口“不复存在” 。 However, a more important paragraph in Necropolis's two page handbook is their acceptance, or should I say understanding, of not having to break the sound barrier in each track, notably in “Waters of Lathe”, though “Cease to Exist”'s half n' half velocity shares similar range.然而，更重要的段落墓地的两页的手册是他们的接受，或者我应该说的理解，不必突破音障在每个轨道，特别是在“水车床” ，但“不复存在”的一半? '一半股份类似的速度范围。 Despite this, there's no lull in energy level; from first to last note this eight-tracker will dislocate joints of anyone in the room.尽管这样，也没有停息能级;从去年第一次注意到这个8跟踪将扰乱关节的任何人在房间里。
Charron's vocals are hostile and inhospitable, savage with a shrieky inner lining, yet are quite comprehensible when narrating less windblown tales.查伦的歌声充满敌意和荒凉，野蛮的shrieky内衬，但非常理解当风吹不到的故事叙述。 Meanwhile, as a soloist Mel Ballard is capable enough, though is often hidden in Soundscape's trebly, though otherwise satisfactory mix job.与此同时，担任独奏梅尔巴拉德有能力不够，但往往是隐藏在声音的trebly ，但其他令人满意的组合工作。
Contemplating Slaughter (to me, kind of a weird title) is more curious than the single dimension it could've been and what was probably anticipated by many, but is still one of the hundreds to hurriedly soar over most peoples' heads unheard.考虑屠宰（对我来说，一种奇怪的名称）是更好奇比单维它可能已经和可能预期的很多，但仍然是一个数百人急忙飙升大多数人民的元首闻所未闻。
I actually expected this Necropolis - - to go farther than it did.事实上，我预计这个墓地- -走得更远比。
曲目
1. Despair 07:36
2. Waters Of Lathe 04:22
3. Ashes To Ashes 02:32
4. Contemplating Slaughter 02:48
5. Killing Kranium 02:54
6. Surrender To Death 03:27
7. Froze In Fear 05:07
8. Cease To Exist 03:56