MENDELSSOHN,TSCHAIKOWSKY:Violin Concertos
MENDELSSOHN,TSCHAIKOWSKY:Violin Concertos
又名: 门德尔松、柴科夫斯基: 小提琴协奏曲
表演者: NATHAN MILSTEIN/Wiener Philharmoniker 维也纳爱乐乐团/Claudio Abbado
介质: LP
发行时间: 1973
唱片数: 1
出版者: DGG/SPEAKERS CORNER RECORDS
专辑简介
柴科夫斯基D大调小提琴协奏曲(Tchaikovsky violin concerto in D major op.35)
门德尔松: 小提琴协奏曲（Mendelssohn Concerto for Violin and Orchestra in E Minor, Op. 64）
小提琴：纳什.米尔斯坦(Nathan Milstein)
指挥:克劳迪奥.阿巴多(Claudio Abbado)
演奏：维也纳爱乐乐团(Wiener Philharmonikcr)
录制日期：1973年
《D大调小提琴协奏曲》是柴科夫斯基协奏曲中的颠峰之作，也是西方音乐中上同类体裁创作中的佼佼者，在音乐会中久演不衰，是许多演奏家的保留曲目。乐曲中包含了许多著名的旋律，忧伤与欢快，躁动与不安，美丽的沉静和四溢的激情相互交织，其蓬勃的朝气和高贵的底蕴令人难以忘怀、堪称古典协奏曲中的镇山之宝。
门德尔松小提琴协奏曲这部作品是最唯美的小提琴代表作之一。
克劳迪奥.阿巴多（Claudio Abbado,1933-）：
生于意大利米兰，父亲是米兰威尔第音乐学院的小提琴家兼教师，母亲是钢琴家。自威尔第学院毕业后，阿巴多1956年赴维也纳音乐学院专修指挥（与祖宾.梅塔同学），两年后首次登台即获成功，同年并获“库塞维茨奖”，1962年又获“米屈风普洛斯国际指挥竞赛奖”，并由此而获得资格进入纽约爱乐乐团成伯恩斯坦和乔治.塞尔的助手。卡拉扬听了阿巴多在柏林的指挥后，邀其参加1965年萨尔茨堡音乐节指挥马勒第二交响曲，从此声誉鹊起，同年起指挥米兰斯卡拉歌剧院，1968年升任常任指挥，1971年再升艺术监督，掌握了这个世界数一数二的歌剧院。这一年，阿巴多还有幸被任命为维也纳爱乐乐团首席指挥，次年又受聘为伦敦交响乐指挥，1982年又出任芝加哥交响乐团首席客座指挥。1977年阿巴多还创建欧共体青年管弦乐团（后改名为欧洲室内乐团）并担任音乐总监。最终，当卡拉扬于1989年逝世，阿巴多在众多竞争者中脱颖而出，接管了柏林爱乐团。
纳什.米尔斯坦（Nathan Milstein,1904－1992）：
美国小提琴家，生于俄国敖德萨，7岁起正式拜师学琴，10岁开始公演。他也是奥尔的学生，还曾师从小提琴大师伊萨伊进修。20年代米尔斯坦与钢琴家霍洛维茨联袂在苏联各地同台献艺，曾是乐坛一段佳话。1925年米尔斯坦开始在欧洲和南美巡回演出，获得巨大成功。1929年由斯托科夫斯基指挥费城管弦乐团，为米尔斯坦在美国举办了首演，听众立即为之风靡，此后米尔斯坦便定居美国。
Although he has lived in the USA since 1929 and even took on American citizenship in 1942, Nathan Milstein is often referred to as perhaps the last "Russian" among all Russian violinists due to his art of playing - which is governed wholly by intellect. This does not mean that Milstein plays in an academic or cool manner, his art is thoughtful and controlled - in the very best sense of the meaning. And this should certainly not be equated with "deliberateness." On the contrary. Milstein’s tremendous virtuosity, particularly in the fiendishly difficult final movements of Tchaikovsky’s and Mendelssohn’s concertos, takes both works to new heights. Although never a forceful presence since he employs relatively little vibrato and thus achieves a slender tone, Milstein’s playing is filled with amazing assertion and luminance, and is quite fascinating for its extraordinary purity. And this is precisely what enhances his interpretation of these two great classical concertos, lending them a legendary grace, a feeling of rightness - that there is no other way. The Vienna Philharmonic, with their great tradition, provide support of the first order, and Claudio Abbado proves once again that he is a more than circumspect master of the baton.
曲目
Tchaikovsky:Concerto for Violin and Orchestra in D major, Op. 35
Allegro Moderato
Canzonetta Andante
Finale Allegro Vivacissimo
Mendelssohn:Concerto for Violin and Orchestra in E Minor, Op. 64
Allegro molto Apassionato
Andante
Allegretto non troppo - allegro molto vivace